Guillermo del Toro’s Pinocchio review – a superbly strange stop-motion animation | Animation in film
Death and fascism may not seem ideal subjects for a life-affirming fantasy animation for grownup children of all ages. Yet Mexican maestro Guillermo del Toro, whose 2017 masterpiece The Shape of Water won the Oscar for best picture, brings his monstrous cinematic skills to bear on Carlo Collodi’s timeless fable with miraculous results, turning it into a Mussolini-era parable about a “lethal form of control and paternity”. Using the tactility of stop-motion animation to lend splintery weight (both physical and emotional)…