Bardo, False Chronicle of a Handful of Truths review – bloated, occasionally brilliant | Drama films
When so much current movie-making is risk-averse, sanitised, cinema by consensus, you have to admire a film that takes such an ambitious and unfettered approach to storytelling. You don’t, however, have to like it. I’ve watched Alejandro Iñárritu’s latest – the wildly uneven, Fellini-esque Bardo, False Chronicle of a Handful of Truths – twice. That’s a little shy of six hours of my life (Iñárritu cut about 20 minutes from the film after its premiere). It’s audacious, bold film-making, a highly personal work that is…