doors

So Coda has triumphed at the Oscars; the likable cheese-fest with a feelgood plot is hardly great cinema, but it’s also hard to dislike. The moments when Troy Kotsur won the Bafta this month, and then the Oscar last night, were enough to have this cynical old disability activist jumping out of his chair with glee and admiration for both the actor himself and the coolness of his acceptance speeches. Coda’s win is a key moment in the sometimes problematic relationship between disability and cinema. Coming so soon after the…