Rashômon review – Akira Kurosawa’s study of justice is uniquely disturbing drama | Rashomon
Spy magazine in the 1990s had a witty essay on how, in American journalism, it only took a couple of slightly conflicting accounts of the same event for someone to trot out the word “Rashômon”. Here is an opportunity to revisit Akira Kurosawa’s 1950 film, and to appreciate how the cliche does not do justice to a uniquely disturbing drama.Rashômon is about a court proceeding, recalled in flashback, relating to a mysterious crime. A bandit, Tajômaru (Toshirô Mifune) is on trial for murdering a samurai (Mayasuki Mori) and…