Louis

For Louis Garrel, the centre of the universe is located at the Cannes film festival. “It’s like a particle accelerator, like that place in Switzerland,” he says. “Your disappointments there are bigger, and your joy is bigger.” He is calling from Paris, where he is tinkering with the edit of his latest film The Innocent; his fourth feature as a director but the first to get an airing in Cannes’s galactic-sized Louis Lumière auditorium. At the time of our conversation he’s got 10 days to nail down the finer details: “It’s…