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maestros

Why Poor Things And Maestro’s Six-Year Development Span Was ‘A Huge Gift,’ According To Emma Stone

We here at CinemaBlend think Poor Things is one of the best movies of 2023. While there are many different elements to credit for the film's success, like Emma Stone's performance, its production lifespan is one of the more unexpected ones. So, in a recent interview, the Easy A actress engaged in a conversation with Maestro star and director Bradley Cooper, and they delved into the intricacies of their 2023 movie releases, shedding light on the significance of the six-year development span for both projects, describing…

Review: Mind & Music: Demystifying Thumri Maestros by Meenakshi Prasad

Books on music are often written either about its practical or theoretical aspects. Music & Mind: Demystifying Thumri Maestros focuses on the psychological aspect of classical Hindustani music, especially the thumri genre. Author Meenakshi Prasad, herself a thumri singer trained under Vidushi Savita Devi, is a postgraduate in psychology. This book, that explores the influence of psychology in the emergence and success of an artist, combines the author’s excellence in her subject and in the realm of music. A…

‘I felt Ingmar Bergman was looking over my shoulder, laughing at me’: my month writing at the maestro’s desk | Film

An eerie kind of peace came over me as I sat in my battered Toyota rental car on the quayside at Fårösund. This is the gateway to the Gotland archipelago’s farthest flung outpost, the island of Fårö, better known as Bergman Island since the release of Mia Hansen-Løve’s 2021 film of that name. The Baltic lay as flat as the hundreds of placid lakes you fly over in the little island hopper from Stockholm Bromma airport. It was 10pm on 1 June, and the sky showed no sign of getting dark. The whole scene, including the rocky…

‘I want my work to be invisible’: Hollywood’s prosthetics maestros share their secrets | Film industry

At the start of last year’s biopic The Eyes of Tammy Faye, a makeup artist is shocked to learn that the televangelist has her lipliner and eyeliner permanently tattooed on. She offers to soften them, but Faye demurs: “That’s my trademark. If I take that away, then it’s not me. This is who I am.” It’s the film’s frontispiece, about appearance, truth and the nature of performance to mediate between them. One that’s especially relevant given the actor playing Faye, Jessica Chastain, is herself covered in layers of silicone…