Post Malone’s ‘Austin’ Review – Rolling Stone
Post Malone has long threatened to make a guitar record. Early in his career, he expressed ambivalence toward the melancholic hip-hop that made him famous. He has Bob Dylan tattooed on his arm, and did a Nirvana cover set so good it earned Dave Grohl’s approval. Across four wildly successful, algorithm-swallowing LPs, he has wrangled Ozzy Ozbourne, Fleet Foxes and Father John Misty into his signature post-genre gumbo, equal parts mumble-rap and groan-rock, pickup-country and minivan-funk. The recipe works: he has sold…