Nighthawks

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CaravaggioDexter Fletcher in Caravaggio. Photograph: RONALD GRANTAlthough lionised by the New Queer Cinema movement in the early 90s – then the cuttingest edge of the cutting edge – Derek Jarman in those heady days was hardly a new phenomenon; in fact (sad to say), by then he was approaching his personal endgame. His films since the mid-70s had dominated British experimental cinema – and my favourite of his films is still the first one I saw in the cinema: his mid-80s fever-dream vision of baroque painter Caravaggio, with…