Koji Yakusho Gives the Best Performance of 2024
You may know Kōji Yakusho as the oyster-slurping mystery man from the noodle-Western extraordinaire Tampopo (1985). Perhaps you remember him as the depressed suburbanite who ballroom-dances his blues away in the international feel-good hit Shall We Dance? (1996). He’s the reformed felon in the Cannes-winning character study The Eel (1997), a former muse to filmmaker Kiyoshi Kurosawa in the late Nineties and early aughts, the familiar face who graced Hollywood fare like Memoirs of a Geisha (2005) and Babel (2006), and —…