After Hours review – Martin Scorsese’s 1980s shaggy-dog story is a peculiar, potent film | Film
Martin Scorsese’s 1985 screwball noir is now on rerelease. It felt at the time – and feels now – like an atypical Scorsese movie, a more generic and less auteurist project he accepted from its producer-star Griffin Dunne while progress on his Last Temptation of Christ had temporarily stalled. Maybe he thought of it as “road work”, but time has lent interest to After Hours; the obviously comic and farcical aspect has receded and its strangeness and anxiety loom larger, in a string of unsexy encounters and chilling…