In Good Hands by Alice Farnham review – notes from the podium | Music books
From the audience, the conductor of an orchestra is a mysterious, unknowable figure. They stand with their back to us, dancing and waving their arms in a series of incomprehensible gestures that the musicians on stage somehow interpret to make beautifully synchronised sounds. When the conductor turns around at the end of the piece to smile and take a bow, it is almost a shock: it is a real person up there, not some mechanical arrangement of limbs and baton.It is with the intention of demystifying this secretive profession…