Sigur Rós: Átta review – too much amorphous euphoria | Sigur Ros
Ever since they first appeared in the late 1990s, Iceland’s Sigur Rós have occupied a fertile middle ground between post-rock and classical. However, in contrast to the harsh, at times industrial soundscapes of 2013’s Kveikur, their first album in a decade (and first since multi-instrumentalist Kjartan Sveinsson returned to the fold) largely eschews percussion. Instead, the 10 tracks here, with strings from London Contemporary Orchestra very much foregrounded, tend towards slowly unfurling ambient washes of sound.Listened…