Fantagraphics and Thomas Woodruff respond to the Francis Rothbart! controversy

From Fantagraphics:

Francis Rothbart! is an allegory of an outsider child, who is orphaned in the wild as a toddler. He is different, trying in vain to be accepted by the local townspeople. He is an avatar of innocence, devoid of savagery, attempting to survive. His ethnic origins refer to The Jungle Book’s Mowgli, but Woodruff wanted his character’s personality to appear more gender fluid, with a feminine side. With all his attempts to fit in, his mother-figure is stoned to death by a gang of intolerant thugs; and in the ending sequences, the townsfolk come after him with pitchforks and torches.

In our current culture where the “other” is constantly under attack, and creative, challenging, and underground art is being maligned and banned, this story seems eerily prescient.

From Thomas Woodruff:

This book was carefully made over nearly a decade. It was never made with the intention for accolades, awards, or even an audience. It was made only with love: my love of comics, of drawing, picture-making, storytelling, design, type and letterforms, grand opera, Venetian painting, and heartfelt sentiment. These are themes I have explored for years.

When I took the position of Chair of Illustration and Cartooning in 2000, my dedication to both departments was strong and sincere. The Cartooning department grew from 121 students to 166 students in 2020, the Illustration Department grew from 312 to 746. During my tenure, we presented the students’ best 20 page comics in a large end of the year Junior exhibition. I instituted and oversaw the creation of  a  full color annual Cartooning Magazine, designed to showcase the impressive work of our Seniors. I worked closely with our library to assemble one of the best Cartooning collections in the country. A Cartoon industry leader referred to the department as the “Harvard of Cartooning” referring to the impressive faculty I assembled over time, and the level of sophistication of our students, (many of them Eisner award winners and nominees, including this year). In working with students, my frank critiques were intended to help them develop keen minds and strong spines.

As a openly gay man in my late sixties, I have been called “f—-t” more times than I would choose to remember, and seen too many die too young during the AIDs epidemic.

In my work as an artist and educator in my over 40 year career, I have attempted to help break and blur some cultural barriers that are still deeply enmeshed within our present day society. Artists must be brave, particularly telling the stories that they need to tell. Francis challenges the torches and pitchforks, he is stronger than the misunderstandings, the bullying, and the hate. I am too!

From Fantagraphics:

Francis Rothbart! is an allegory of an outsider child, who is orphaned in the wild as a toddler. He is different, trying in vain to be accepted by the local townspeople. He is an avatar of innocence, devoid of savagery, attempting to survive. His ethnic origins refer to The Jungle Book’s Mowgli, but Woodruff wanted his character’s personality to appear more gender fluid, with a feminine side. With all his attempts to fit in, his mother-figure is stoned to death by a gang of intolerant thugs; and in the ending sequences, the townsfolk come after him with pitchforks and torches.

In our current culture where the “other” is constantly under attack, and creative, challenging, and underground art is being maligned and banned, this story seems eerily prescient.

From Thomas Woodruff:

This book was carefully made over nearly a decade. It was never made with the intention for accolades, awards, or even an audience. It was made only with love: my love of comics, of drawing, picture-making, storytelling, design, type and letterforms, grand opera, Venetian painting, and heartfelt sentiment. These are themes I have explored for years.

When I took the position of Chair of Illustration and Cartooning in 2000, my dedication to both departments was strong and sincere. The Cartooning department grew from 121 students to 166 students in 2020, the Illustration Department grew from 312 to 746. During my tenure, we presented the students’ best 20 page comics in a large end of the year Junior exhibition. I instituted and oversaw the creation of  a  full color annual Cartooning Magazine, designed to showcase the impressive work of our Seniors. I worked closely with our library to assemble one of the best Cartooning collections in the country. A Cartoon industry leader referred to the department as the “Harvard of Cartooning” referring to the impressive faculty I assembled over time, and the level of sophistication of our students, (many of them Eisner award winners and nominees, including this year). In working with students, my frank critiques were intended to help them develop keen minds and strong spines.

As a openly gay man in my late sixties, I have been called “f—-t” more times than I would choose to remember, and seen too many die too young during the AIDs epidemic.

In my work as an artist and educator in my over 40 year career, I have attempted to help break and blur some cultural barriers that are still deeply enmeshed within our present day society. Artists must be brave, particularly telling the stories that they need to tell. Francis challenges the torches and pitchforks, he is stronger than the misunderstandings, the bullying, and the hate. I am too!