Fanny and Alexander review – Ingmar Bergman’s dark fusion of Shakespeare and Dickens | Film
Ingmar Bergman’s mysterious and terrifying family drama has a realist structure shaken by tremors of supernatural revelation; it is now rereleased for its 40th anniversary in its three-hour theatrical cut (as opposed to the aggregate five hours of Bergman’s originally intended television version). This is maybe Bergman’s most personal film, inspired by a childhood dominated by his formidable and forbidding Lutheran minister father, Erik. Bergman had an older brother and a younger sister, novelist Margareta Bergman, and I…