Katherine Priddy: The Pendulum Swing review – a rich, poised second album | Folk music
“It turns out the second album really is difficult,” says Katherine Priddy of this follow-up to her justly praised 2021 debut, The Eternal Rocks Beneath. The struggles of the Birmingham-born singer-songwriter are, however, not much in evidence. Her voice is remarkable, the delivery of her songs more poised and their accompaniments richer – a blend of guitars (both picked and jangling), cello, violin, brass and synth overseen by producer Simon Weaver. That the record is less startling than its predecessor is down to a lack…