Memory review – survivors grapple with an unstable past in a delicate, painful duet | Film
Mexican film-maker Michel Franco, famed for his icily contrived, pitilessly controlled dramas, often shown in static tableau scenes, has made another of his complex, painful and densely achieved movies; at Venice it won its leading man, Peter Sarsgaard, the Volpi cup for best actor. It is about abuse, violence, recovery and the redemptive power of sexual intimacy, but also about just what its title proclaims: memory, and how this accumulates over a lifetime to form an identity. Yet memory is unreliable building material;…