Tropic review – morally ambiguous sci-fi predicts the departure of the fittest | Film
A strain of science fiction has emerged lately, especially in Europe and more specifically France, that’s very sparing with visual effects and more dependent on tricks involving makeup and sets, sprinkled with a bit of body horror, à la David Cronenberg. French director Thomas Cailley’s The Animal Kingdom, which debuted in Cannes and played at the London film festival but has yet to open in the UK, is very much in this style, with genetically mutated people turning into animal-human hybrids – lizards, birds, all manner of…